Harvey's sixth solo album, Uh Huh Her, doesn't disappoint. It's a nasty riposte to the success of its predecessor, built on grubby blues-punk riffs and the brooding, primal howl that Harvey uses when she wants to impersonate a she-wolf. Some of it seems disappointingly remedial ("The Letter," "Cat on the Wall"), but the best material ("The Desperate Kingdom of Love," "Who the Fuck?") just reconfirms that no matter how raw the British songwriter serves it up, the beauty of her work is undeniable. --Aidin Vaziri